‘I knew there
was something I needed to write, not just a story of the band, but a story of
redemption.’ We start where the remarkable book by Lol Tolhurst, founding
member of The Cure, ends. Already on the first page, Tolhurst warns us that his
book is not just his autobiography. These are his memoirs, his version of the
facts.
I was doubting if I would learn something new about The Cure, especially knowing
that Tolhurts already was the main source of biographies like ‘Never Enough. The
story of The Cure’ by Jeff Apter, a good book about the pop phenomenon Cure, although
with some lack of understanding for the darker side of the band.
I was
mistaken. With ‘Cured. The story of two imaginary boys’, Tolhurst has chosen a
very different perspective. It has become a strongly personal story that starts
with the first meeting between Robert Smith and Tolhurst as five year old
children that had to take the same bus to a catholic school in Crawley.
The book is
divided into three parts. The first part is entirely devoted to the childhood of
Tolhurst and Smith, including the first musical steps, performances and
recordings until the contract with Fiction that gave the members the opportunity to
become professional musicians and release their own records. Of course you’ll read the
necessary anecdotes about the nightlife in Crawley, the first loves and the way
the extravagant trio Tolhurst-Smith-Dempsey were treated by the more conformist
youth and right-wing skinheads.
In the
second and most extensive part, Tolhurst talks about his experiences in The
Cure. The story is largely personal, and of course includes infamous episodes
like that drunken night when Tolhurst hastily ran into a bathroom and
accidentally pissed on the leg of Billy Idol when this last one was about to make
love to a groupie. Or the evening when Robert Smith and Simon Gallup fought
about unpaid drinks and put an end to the successful trio in the tour that
followed ‘Pornography’.
When Smith contacted
Tolhurst again to continue as a duo, the story takes a different
turn. It is still the story of Tolhurst in The Cure, but the emphasis is more
on another aspect of the man in the band, a very destructive aspect which will
ultimately lead to the departure of the writer: Tolhursts ever worsening alcohol
addiction.
Alcohol already ran like a thread through the book. It started with the alcohol
addiction of Tolhurst’s father, a reason why Tolhurst nor his family ever invited friends
or relatives at their home. The children had learned to dodge their father,
especially when he was drinking. Tolhurst also talks about his first glasses at his
brother’s party, and how it led to his first blackout on that very same night.
Tolhurst
was - just like the other members of The Cure - a heavy drinker. But after ‘The
Top’, and even more so after ‘The Head On The Door’, it all went completely out
of control. His addiction seriously hindered his creative input in the band. Tolhurst
tells us many anecdotes about drunken nights, accidents or even police
interventions and arrests.
Tolhurst narrates how Porl Thompson sat beside him at a pool during the recording of ‘Kiss Me Kiss Me Kiss
Me’ and told him that no one would blame him if he would seek professional
help. Tolhurst, however, dismissed the problem and thought he could overcome it
all by himself.
It is now
known to everyone that Tolhurst contributed almost nothing to ‘Disintegration’, the most perfect Cure-album.
Tolhurst demolished the album in front of the whole band (perhaps because of
the realization that he had contributed too little). The question arose whether
Tolhurst could be taken on tour. Tensions in the group were already running
high, and finally Robert Smith took the inevitable decision. Tolhurst was fired.
This is where the third part of the book starts. Tolhurst at last seeks a serious treatment
and frees himself from the alcohol demon. Alas, he remains envious and jealous. Even if The Cure made him incredibly rich, he filed a court case
against the band over copyright issues. He lost the case in an astounding manner,
after which he divorced from his wife and child. Tolhurst was completely lost,
and didn’t even have a home for a period. He was broke and staying with friends.
In order to
pull out of the downward spiral, he gives himself some time off in the
desert. It will be a turning point after which he starts rebuilding his life. He
finds a new partner with whom he starts to make music - after a few years - under
the name Levinhurst. In 2000, the big reconciliation with Robert Smith and The
Cure takes place, and in 2011, Tolhurst even plays with The Cure on the ‘Reflections tour’,
performing the entire ‘Faith’ album with the band. The book ends on a positive
note. Intentionally.
Lol
Tolhurst gave Robert Smith a copy of his book. ‘I know
that if he didn't like it, I would have heard from him by now.’ It should be said that Tolhurst
remains very friendly towards his former fellow musicians in The Cure. There
really is not a single negative word about them in the book. Tolhurst doesn’t
even mentions the fact that Simon Gallup was also treated for his alcohol
problem a few years after his departure from The Cure, something which surely would have
been interesting in this context.
He mentions
that The Cure was often involved in fights, something which may not fit the
image of the band by the general public. In the early days, the band would
sometimes jump into the audience to deal with difficult people. (It was the
heyday of punk, right.) The fact that Tolhurst was often the outlet for frustration
and aggression of other members of the band, remains unmentioned.
Tolhurst takes
almost all the blame for what went wrong. He is not ashamed to tell pretty
embarrassing things about himself. However, he does not have the courage to dwell deeply into the trial which he sat up against The Cure. (Or maybe he didn’t want to
practice too much ‘accuracy’ when the book neared its ending?) For instance, it is not true
that Tolhurst earned the same as the other members of The Cure, as he writes in
the book. As a founding member, he earned substantially more than the rest -
with the exception of Robert Smith, of course - while his contribution was much
smaller. This is perhaps why Tolhurst calls the book his ‘memoirs’ and not his
autobiography.
What makes
the book exceptional, is the openness with which Tolhurst talks about
his alcohol addiction. Some will deem this an extremely interesting book about
The Cure, while others will also outline the story of a successful life that
was destroyed by alcohol, and then rebuilt from scrap. With the combination of both, we must recommend you the book doubly.
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